Tadeusz Chłoń — Production Sound Mixer / Re-recording Mixer
Warsaw Film School · available across Poland and Europe
Clean sound on set. Finished in the mix. From the boom on the day to the final master — the full audio chain from one pair of hands, in collaboration with Folia Sound Studio.
100+ productions · 5+ years on set · 5.1 / Atmos end-to-end mix
I listen to the picture.
I'm a production sound mixer and post-production engineer based in Warsaw. I work on features, documentaries, school etudes, shorts and commercials — 100+ productions since 2023.
I don't disappear when the shoot wraps. I carry the project through — dialogue editing, ADR, foley, sound design, and the final mix — in collaboration with Folia Sound Studio. What you hear in the cinema isn't a compromise between set and post; it's one decision, made consciously from the beginning.
Full audio path from set to master.
In partnership with Folia Sound Studio I take over post-production on the same projects I recorded on set. I know the material, the director, the priorities of the scene — editing becomes a decision, not a rescue.
- Dialogue editing — Cleaning, editing, ADR calls. Dialogue as the foundation — never as something to hide.
- Sound design — World-building: textured ambiences, narrative effects, a sonic space tuned to the film's language.
- Foley — Foley sessions at Folia's stage — footsteps, cloth, props. Performed to the scene, not to a checklist.
- ADR — Directing post-sync sessions. The actor returns to the scene, not to the microphone.
- 5.1 / Dolby Atmos mix — Immersive mix in a certified room. Spatial decisions in service of the story.
- Mastering for film — Deliveries compliant with platform and DCP specs. Full package: M&E, stems, language versions.
- Music / score — Working with composers; editing music in context with dialogue and design.
- QC & delivery — Quality control, broadcast spec compliance, delivery packages for platforms and cinemas.
Recent projects
- Bałtyk (2025) — Documentary · dir. Iga Lis · Production sound + post · Krakow Film Festival 2025 · theatrical release Aug 22
- National Geographic — WOPR (2025) — Doc series · Nat Geo · „Na dyżurze” — water rescue · Production sound · Antoni, Radosław, Iwona — life-saving mission
- OLX Praca (2024) — Ad · OLX · dir. Bartosz Dombrowski · F25 · Production sound · PRZESTRZEŃ agency × OLX · audio post: GŁOŚNO
- Intersection (2024) — Feature film · dir. Adam Nowak · Water Color Studio · Post-production · Sound design with Paweł Uszyński · Polish Film Institute
- FuzeTea (2025) — Ad · Instagram · Dorota Szelągowska — FuzeTea ambassador · Production sound
- God Goes Deep (2025) — Feature film · Drama / Thriller · dir. Paweł Orwat · Raster Film · PL/USA · Production sound + post · With Aleksandra August, Philippe Tłokiński, Paweł Olearczyk
- Otwarte Klatki — Spot (2025) — Social campaign · Otwarte Klatki · Production sound + post · Spot for animal-rights NGO Otwarte Klatki
- Kampania SexEd (2025) — Educational series · all episodes · „Breasts in Poland” report · prevention · Production sound · Awareness campaign — breast USG
- Booksy Barber (2024) — Ad · BOOKSY · dir. Karol Moch · F25 · Production sound · 23Heroes × BOOKSY · audio post: Zgrywa Studio
- Booksy Pay (2024) — Ad · BOOKSY · dir. Karol Moch · F25 · Production sound · BOOKSY PAY · 23Heroes
- Dziadku (2025) — Documentary · documentary · Sound post-production · Observational doc — sensitive sonic register
- Ultrace (2025) — Brand campaign · YouTube · Ultrace image campaign · Production sound + post · Full audio path — set to master
- Lika (2025) — Feature film · feature production · Production sound
- Dr. MAX (2025) — Ad · set · Dr. MAX shoot · Production sound
- Kołysanka dla psa (2025) — Short film · short film · Production sound · Full production sound package
Selected credits
Folia Sound Studio, F25 Production, BOOKSY, OLX, 23Heroes, Raster Film, Bałtyk, Otwarte Klatki, Intersection, Dziadku, Kołysanka dla psa, Lika, Princeska, Czarna chusta, In My Day, Potop. Postscriptum, Powołany 2, Pustelnica, Handprint, God Goes Deep
Before you write.
- Looking for a production sound mixer in Warsaw or Poland?
- I'm a production sound mixer based in Warsaw. I record sound on set for features, documentaries, shorts, film-school etudes and commercials — 100+ productions since 2023, including „Bałtyk” (Krakow Film Festival 2025), „God Goes Deep”, a National Geographic series on WOPR water rescue, and ads for OLX and Booksy.
- Do you work outside Warsaw?
- Yes. I'm based in Warsaw and travel to shoots across Poland and Europe.
- Do you also do sound post-production?
- Yes. After the shoot I carry the project through: dialogue editing, ADR, foley, sound design, 5.1 / Dolby Atmos mix and mastering — in collaboration with Folia Sound Studio in Warsaw. Set and post from one pair of hands.
- What kind of productions do you work on?
- Feature films, documentaries, shorts, film-school etudes, commercials, social campaigns and brand content — from small crews to big sets.
- Do you work with international crews?
- Yes, I work in Polish and English, including co-productions (e.g. „God Goes Deep”, PL/USA).
- How do I book dates and get a quote?
- Email tadeusz@soakupsound.pl or call +48 784 522 711 with your shoot dates, number of days, location and type of production. I reply within 24 hours — ideally reach out before camera tests.
Let's talk about the project.
The best time to reach out is before the camera tests — not the week of principal photography. I reply within 24 hours.
tadeusz@soakupsound.pl · +48 784 522 711 · Warsaw, PL
Wersja polska